

The trailer which, highlights the grippy drama and the Punjabi youth has garnered over 1.9 YouTube views. The official trailer of the film was released on December 13, 2018. Two days prior to the release of the song ‘Toronto,’ Manak shared a poster of the track. The song ‘ Toronto’ by singers Jass Manak and Priya came next on December 04, 2018, getting over 18 million YouTube views. The song ‘ Jawani’ by vocalist Deep Jandu was first published on November 26, 2018, receiving over nine million YouTube views.
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The team went on to release several songs and the official trailer. Featured: Dragonball Forum GTA 5 Thinkers Lounge Football (Soccer) Pokémon Trading Music Movies PC Games and Steam 3DS and 2DS PokéLounge PlayStation 4 Sports Dreams Pokémon Brilliant Diamond. “Naa landu bandea ne rakhea stand ni Taa hi hun banu dekhi Gangland ni.” On November 17, 2018, Vadda Grewal put up a picture on Instagram of himself holding a Gangland clapper and captioning it:
#Gangland movie musical series#
The team began promoting the web series with cast members posting images on social media.Įarlier on October 12, 2018, Virk did share a poster of the web series on his verified Facebook page: Hope you will understand that it will set trend and become a remembrable series. “Overall good start but we really are expecting more suspense and action. Make it more thrilling by reducing the silence periods. “Try not to show things repeteadly and avoid stretching the same thing over the edge. Summing up episode one, a user on YouTube says: Do tell me after watching it.Ī post shared by Vadda Grewal some viewers feeling that the first episode was slow, the general feedback on YouTube has been positive. “Aa Gya Pehal Episode Check Karo GeetMP3 Te Jaake, Menu Dekh Ke Dassyo Jrur.” – the first episode is here. Vadda Grewal posted a video informing fans that the first episode was available. The 26 minutes and 59 seconds episode became available on YouTube at 6:00 pm. Wait for it #ganglandinmotherland #vaddagrewal.”Īs promised, Geet Mp3 kicked off season 1, by releasing episode one of the web series titled ‘Subedaar’ (military rank). But the show, which treats the gangland ethic as a huge joke, seems a scandalous waste of the Nationals precious resources. Posting a picture with most of the actors on Instagram, Vadda Grewal captioned it saying: Actors Yaad Grewal and Navdeep Kaler are the other cast members. Musical artists such as Vadda Grewal, Mehtab Virk and Guri will also act in the film. In 2006, Khaira won the title of ‘Miss World Punjaban.’ The web series comprises an ensemble cast of characters, featuring record producer Nishawn Bhullar and Indo-Australian Punjabi actress Japji Khaira. The web series is set to raise the bar for the digital field in Punjab. The Gangland of Motherland will potentially take viewers on a rollercoaster ride. The film has been made under the direction of a confident Sangrur. These include Udta Punjab(2016) and Sikander (2013). This web series marks the directorial debut for Gabbar.Īs a line producer, he has previously worked on many popular films. He is also the founder and director of The Theatre Army Films. Sangrur has penned down the title track for The Gangland in Motherland. This review appeared in some editions of yesterday's paper.Gabbar Sangrur is the writer and director, while KV Singh is the producer of the web series. But the show, which treats the gangland ethic as a huge joke, seems a scandalous waste of the National's precious resources. David Burt as a rasping Woolwich Peachum, Clive Rowe as a garden-tending Mr Big and Elizabeth Renihan as a luscious Lucy come off best.

The actors do all they can but Alexander Hanson's Macheath seems little more than a bumptious Walter Mitty. Real satire requires moral outrage: here the underworld is simply an excuse for camp sniggers. And hard though Tim Supple's production strains to create an atmosphere of louche naughtiness, it never gets beyond cartoon decadence. Where Gay had traditional ballads and Brecht had Weill, here we have sawn-off tunes by the normally reliable Stephen Warbeck that flit by unnoticed. Dear starts out with Macheath and ends up with Macbeth.Įven musically the show is a non-starter.

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Even as a piece of storytelling the show is feeble: it starts out as a by-the-book update of Gay, and then meanders into a mix of drug-snitching estuary fantasy and cod-Shakespeare. Dear's ideas strike one as borrowed rather than felt: when a would-be honest cop cries to her boss "But how are we going to clean up London if we're as vile as the villains?" I couldn't help but think of Gary Mitchell's The Force of Change, where collusion is explored with genuine moral subtlety.
